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Joachim Wtewael
Supper at Emmaus
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Joachim Wtewael
Perseus and Andromeda
1611
Musee du Louvre, Paris
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Joachim Wtewael
Jupiter and Danae (mk05)
Copper 8 1/4 x 6 1/4''(21 x 16 cm).Acquired in 1979
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Joachim Wtewael
Perseus and Andromeda (mk05)
1611
Canvas,71 x 59''(180 x 150 cm)Given in 1982
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Joachim Wtewael
Self-Portrait
mk52
1601
Oil on wood
98x74cm
Centraal Museum,Utrecht
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Joachim Wtewael
Lot and His Daughter
mk65
Oil on copper
6x8"
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Joachim Wtewael
The Judgement of Paris
mk170
1615
Oil on oak
59.8x79.2cm
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Joachim Wtewael
Mars and Venus Discovered
between 1603(1603) and 1604(1604)
Medium Oil on copper
Dimensions Width: 15.5 cm (6.1 in). Height: 20.2 cm (8 in).
cyf
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Joachim Wtewael
the Gods-Joachim Wtewael
between 1603(1603) and 1604(1604)
Medium Oil on copper
cyf
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Joachim Wtewael
Kitchen Scene
1605(1605)
Medium Oil on canvas
cyf
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Joachim Wtewael
Perseus and Andromeda
H. 1.8 m (70 ¾ in.), W. 1.5 m (59 in.)
Oil on canvas, 1611.
cjr
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Joachim Wtewael
Mars and Venus Surprised by Vulcan.
Date 1601
Medium Oil on copper
Dimensions 20.8 x 15.7 cm (8.2 x 6.2 in)
cjr
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Joachim Wtewael
Charity
Date 1627(1627)
Medium Oil on oak panel
Dimensions Height: 83 cm (32.7 in). Width: 73 cm (28.7 in).
cjr
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Joachim Wtewael
Perseus and Andromeda
Oil on canvas, 1611
cyf
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Joachim Wtewael
Mars and Venus Surprised by Vulcan
1601
Medium Oil on copper
Dimensions 20.8 x 15.7 cm (8.2 x 6.2 in)
cyf
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Joachim Wtewael
Charity
1627(1627)
Medium Oil on oak panel
cyf
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Joachim Wtewael
Lot and his Daughters
circa 1600(1600)
Medium oil on canvas
cyf
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| Joachim Wtewael
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1566-1638 Flemish Joachim Wtewael Galleries
Dutch painter and draughtsman. He was one of the last exponents of MANNERISM. From c. 1590 until 1628, the year of his latest known dated paintings, he employed such typical Mannerist formal devices as brilliant decorative colour, contrived spatial design and contorted poses. He sometimes combined such artifice with naturalism, and this amalgam represents the two approaches Dutch 16th- and 17th-century theorists discussed as uyt den geest (from the imagination) and naer t leven (after life). Wtewaels activity reflects the transition from Mannerism to a more naturalistic style in Dutch art. Slightly over 100 of his paintings and about 80 drawings are known. Subjects from the Bible and mythology predominate; he also painted several portraits, including a Self-portrait (1601; Utrecht, Cent. Mus.).
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